I have great respect for George Harrison. I clearly identified with John more than George during my formative years as i was somewhat radical and sarcastic as he was, but history shows that George became a very good songwriter and musician, even when compared to John and Paul. The “quiet Beatle” added the finishing touches to every Beatle song with a simple majesty that made him one of the premier guitarists of his time.
I got all of these pictures and descriptions from other web pages online and tried to give credit when i could find that information.
Photo from “The Beatles Story” in Liverpool
Georges First Guitar – Rosetti 276 (Egmond 105/G) 1956
In 1956 George Harrison begun playing acoustic guitar. It was an Egmond 105/0, that also was called Egmond Toledo. In the UK the Egmond guitars were marketed as Rosetti guitars, so the guitar that George Harrison had, was a Rosetti 276.
The Beatles – Early George Harrison Guitar Discovered In Cheshire
George Harrison’s first guitar — “a real cheapo” his parents gave him — has sold at auction for more than $469,200. The guitar was part of an annual Beatles sale by music memorabilia firm Cooper Owen, conducted Thursday at the Hard Rock Cafe in London. Bids were taken at the cafe, by phone and on the Internet. Harrison’s father purchased the guitar from a schoolmate of Georges, Raymond Hughes for $5.95. In The Beatles Anthology book, Harrison described it as “a real cheapo, horrible little guitar but it was OK at the time.
A beginner’s guitar, once owned by Beatles guitarist George Harrison, has been discovered after having been stored in a cupboard for more than half a century.
It is widely believed that Harrison’s earliest surviving guitar is an Egmond steel strung, Spanish style guitar which was advertised as “the cheapest model in our range”. The Egmond guitar, minus its machine heads, was auctioned off in London during the mid 1980s, and thanks to an anonymous British owner was on loan to the Rock and Roll Hall of Fame in Cleveland between 1995 and 2002 before moving in 2003 to The Beatles Museum in Liverpool and is now worth an estimated $800,000.
However another beginner’s guitar once owned by Harrison has emerged which may or may not pre-date the famous Egmond. Harrison’s first home was a basic two-up and two-down terraced house in Arnold Grove, Wavertree where he lived with his father Harold Hargreaves Harrison, a bus driver and former seaman, mother Louise, his brothers Harry and Peter, and sister Louise.
When George was five years old, the family eventually moved to a new council house at 174 Macketts Lane, Speke and it was here that George developed an interest in learning to play the guitar.
George was 14 when he developed an interest in learning to play a guitar, and purchased a second hand instrument (the Egmond) for the princely sum of three pounds from a boy at his school. His mother, Louise helped fund the purchase and despite George’s frustration at learning, his mother was highly supportive and was always encouraging him and telling him he will get there with patience and practice. George kept trying and practised until he had mastered the skill and outgrew the learning guitar. Within a few months he explained to his mother how he now needed a new guitar, a better guitar, one that cost thirty pounds and that was electric. Louise, George’s mother had a different childhood to George, she was never encouraged to do what she wanted, so when she noticed her son’s musical talent and interest she always said yes and saved up until she could buy the thirty pound Hofner President. In the only ever authorized biography of The Beatles, George Harrison explains ‘My mum did encourage me, she never discouraged me from anything I wanted to do, that was what was good about her and my dad.’
George’s first band went by the name “The Quarrymen”, a skiffle group founded by school friend John Lennon in 1956 with George joining in 1958 by Paul McCartney’s recommendation. Despite Lennon initially not convinced about George, he was allowed to join the band at just 14 years old. After a self-made recording of Buddy Holly covers, they moved from skiffle towards Rock and Roll causing all but John, Paul and George to leave and in 1960 they changed the name of the band for the final time to The Beatles.
From 1962 to 1965, Harold Hargreaves Harrison and his family which included George Harrison lived at 174 Macketts Lane, Liverpool while another George called George Rawlinson lived just nine doors away at 156 Macketts Lane with his mother, Esther and his father, also called George.
During this period, The Beatles enjoyed huge success and developed into arguably the UK’s greatest band.
However, this came at a price as fans of the group soon learned that George’s home address was at Macketts Lane and many of them used to visit the road and hang around outside the Harrison home hoping to catch a glimpse of their idol. On other occasions, fans would simply turn up and ask where George lived and many of them were quite innocently pointed in the direction of George Rawlinson’s house because he was also called George.
Eventually Harold Harrison and his wife Louise found the intrusion of the fans too much and moved into a new home that their son bought for them at Appleton near Warrington. On moving day, the removal men turned up in a huge van to take everything out of the house and George Harrison’s mother Louise spotted George Rawlinson down the road and asked him whether he’d like her son’s old guitar that he used to practice on as child. “He won’t be needing it now” she said and George Rawlinson gratefully accepted and it’s been in his possession ever since. The guitar that was handed over to George Rawlinson was a very basic learning guitar which is believed to precede all other known guitars owned and used by George Harrison.
This guitar was offered by Cheshire Auctioneers, The Auction Centre on Saturday 24th June.
1958 Hofner President
The Quarry Men at George’s brother Harry’s wedding reception at 25 Upton Green in Speke, Liverpool in December 1958. George is holding his 1958 Hofner President guitar. A welcome upgrade from his former guitar. The story is that George swapped this guitar to Ray Ennis (of the Swinging Blue Jeans), for a Hofner Club 40.
According to one of Mike McCartney’s books, it was taken at Auntie Gin’s son Ian’s wedding. I don’t know who is right so i have included both versions.
Allan Williams signed copy of this picture
Hofner Club 40
In 1959, George acquired this Hofner Club 40 (on the left in this photo) with this mom. It was slightly different than John’s.
George traded this one away. It was signed by all 4 Beatles and now sits in a bank vault in Germany.
1958 Neoton Futurama Grazioso Resonet
The Futurama “was a dog to play,” he recalled in the Guitar Player interview (November ’87).
“It had the worst action. It had a great sound, though, and a real good way of switching in the three pickups and all the combinations.”
In the Anthology book, Harrison recalls the day he found this instrument in Rushworth and Dreaper’s shop in Liverpool.
“Paul came with me when I bought the Futurama. It was on the wall with all the other guitars, and Paul plugged it into the amp but he couldn’t get any sound out of it, so he turned the sound right up. The guitar had three rocker switches, and I just hit one and there was an almighty boom through the amplifier, and all the other guitars fell off the wall. My mother signed the hire-purchase agreement for me . . . “
Records show that Brian Epstein eventually paid off the account on this guitar. What happened to the Futurama? In ’64 Harrison gave it to Beat Instrumental magazine to raffle off, but the winner decided he’d rather have the money, so publisher Sean O’Mahoney paid the man and kept the Futurama, and he still has it.
George Harrison’s Futurama, in its original case
1957 Gretsch PX 6128 Duo Jet. First American Guitar SN 21179
Stats: Gretsch PX6128 Duo Jet, a late 1957 model, featured a solid body, “cloud” inlays, a Bigsby® vibrato, black finish with a silver pick guard, and two DeArmond pickups.
George bought it secondhand for £70 from a Liverpool cab driver a year earlier at age 18, in summer 1961. After acquiring the guitar, Harrison played it during the historic three-year period when the Beatles made their momentous transformation from local favourites to U.K. sensations to worldwide phenomenon.
Harrison retired the Duo Jet in spring 1963 when he acquired other guitars including the Gretsch Country Gentleman® and Tennessean® models. In the mid-1960s, he gave the Duo Jet as a gift to bassist and artist Klaus Voormann, a longtime friend of the band from the Hamburg days well known to Beatles fans as the designer of the seminal 1966 Beatles album Revolver, as well as the mid-’90s BeatlesAnthology albums.
Voormann kept the Gretsch for the next 20 years, at some point changing the neck pickup. In the mid-1980s, Harrison recalled, “I’d asked him what happened to the guitar and whether I could have it back, because of its nostalgic value. So he returned it to me, and I had it fixed back in its original form with the original pickup and switches that had been missing from it since he owned it.”
57′ Gretsch Jet Firebird
This Gretsch Jet Firebird was borrowed from Rushworth’s for a couple of months while the Duo Jet was being repaired. George liked the guitar, but apparently decided not to keep it. The model was initially made for Bo Diddley
1963 Rickenbacker Fireglo 425. SN# BH 439 (Manufactured in August 1962)
This guitar was originally shipped from the factory and was painted “Fireglo” Red. Purchased from Fenton Music Store at 601 South 10th Street, Mt Vernon, Illinois in the fall of 1963. It was painted black by store owner Lester “Red” Fenton at Georges request, to match John’s Rickenbacker. Only used extensively until early 1964. Note: I wanted to label this as the 420 because it has been well documented that the 420 had no vibrato (which this does not). The 425 model has a vibrato. John F Crowley noted that When Rickenbacker first introduced the 425 in 1958 it had no vibrato. In 1965, Rickenbacker added the vibrato unit to the 425 and designated the vibrato-less 425 as the model 420. It has also been confirmed by Mr. John Hall (of Rickenbacker International Corporation), that this instrument was shipped by the factory, in error, as a Model 425 even thought it was in fact a Model 420, having no vibrato.
See this great article by Peter McCormack http://www.rickresource.com/rrp/youwontseeme.html
Interesting Note: This model was also an Electro ES-17 made by the Electro String Instrument Corporation. Designed by Rickenbacker co-founder George Beauchamp and assisted by Paul Barth and Harry Watson. The company known then as Electro String Instrument Corporation, added the Rickenbacker name to it instruments. In the 1950’s, the Electro name was dropped and Rickenbacker became the only brand banner, but the company chose to revive the Electro logo in the early 1960’s for use on 2 – 6 string solid body electrics. Many of the early examples bear the name Electro.
Credit: 2,000 Guitars – The Ultimate Collection.
Original factory Fireglo” Red colour
Harrison gave this guitar to George Peckham, a mate from Liverpool (he played in Earl Royce and the Olympics, and later as rhythm guitarist for the Fourmost) who had become cutting engineer for Apple and rhythm guitarist for a new band, Matchbox. Harrison learned the band was about to appear on “Top of the Pops” but Peckham had no guitar, so Harrison loaned him “Rocky,” his psychedelic-painted Fender Stratocaster. When Peckham returned it, Harrison asked him if he wanted a guitar, and offered him the 425 calling it a “great rhythm player.” Peckham kept it until September 1999, when he put it up for auction it at Christie’s. All though the auction was posted as completed, for some reason the high bidder rescinded his bid, and the auction house brokered a sale to another party for £56,500 (about $90,000). Christie’s records are confidential, but soon after the sale, the Rock and Roll Hall of Fame received this guitar on indefinite loan from one Sharon Mineroff, who reportedly was apprehensive about keeping it in the house. So there it sits in Cleveland, not that far from where Harrison found it.
John F. Crowley http://www.thecanteen.com/harrison5.html
In “The Beatles” display at the RRHOF
Harrison modified his Rickenbacker 420 by adding another pickup and a switch. Rickenbacker made a two pickup version of this same body style. It was known as the Rickenbacker 450. Note that Harrison’s guitar does not have the same control layout as a model 450.
Rare George Harrison Rickenbacker Guitar To Be Auctioned Off
by Dave Lifton May 11, 2014 1:27 PM
A 1962 Rickenbacker 425, owned by George Harrison and believed to be the guitar he used on ‘I Want to Hold Your Hand,’ will go up for sale at auction this week. The instrument is expected to sell for somewhere between $400,000 and $600,000.
Julien’s Auctions, which specializes in celebrity memorabilia, says that Harrison bought the guitar at Fenton’s Music in Mount Vernon, IL, when he took a two-week vacation to visit his sister. Although originally produced in the Fireglo finish, Harrison asked the store owner to match John Lennon‘s black Rickenbacker.
It seems that Harrison only played the guitar for a few months. He used it on two high-profile TV apperances — ‘Ready Steady Go!’ in October (embedded above) and ‘Thank Your Lucky Stars’ in December — and a tour of Sweden. By the time the Beatles landed in America, he had switched back to the Gretsch Chet Atkins Country Gentleman that he played on ‘The Ed Sullivan Show.’ However, during that first Beatles trip he was given a gift by Rickenbacker president Francis C. Hall, the second 360/12-string model ever made. Harrison would popularize the guitar in the film ‘A Hard Day’s Night,’ which famously inspired the Byrds to purchase the same instrument.
Harrison eventually gave the 425 to George Peckham, who played in Liverpool band the Fourmost, under the condition that it never be modified. The auction comes with letters from Harrison’s office — one of which was signed by Olivia Harrison — and Peckham that confirm that the guitar had belonged to Harrison. The auction will take place Saturday, May 17.
Up Date – May 17, 2014 – The guitar’s pre-sale estimate was up to $600,000 (£356,000) said auction house Julien’s but it eventually sold for $657,000 (£390,641)
1963 Maton MS-500 Mastersound
Photo’s courtesy of http://www.rarestarguitars.com/collection/george-harrison-maton-ms500/
George Harrison’s 1963 Maton Mastersound MS-500 (George never actually owned this guitar)
This guitar was borrowed by George Harrison from Barratts of Manchester while Harrisons first Gretsch Country Gent was being repaired. The guitar can be seen shows in photos from shows at the Grafton Rooms, Liverpool, on 12 June and the Winter Gardens, Margate, in early July. This guitar eventually found its way into the hands of Roy Barber, rhythm guitarist for Dave Berry’s backing band The Cruisers who swapped his Fender Stratocaster for the Maton at Barratt’s store and was told by the owner it was the one recently used by Harrison. Barber stopped using . . . the guitar several years later and for 20 years it lay abandoned in its case in the attic of his home in Totley, Sheffield.
After Barbers death the guitar was exhibited at the National Centre for Popular music in Sheffield UK and was eventually sold to a private collector at auction in November of 2006.
This guitar was auctioned off by it’s owner at Julien’s Auctions on May 16, 2015 for $485.000. The new owners name was not announced.
1962 Gretsch 6122 Country Gentleman. (The first One)
Purchased in April/May 1963 for £234 at Sound City in London. Back in England, the group attended the July 29th royal premiere of Help! held at the London Pavilion cinema on Piccadilly Circus. Next on the agenda was to prepare for another American tour. So the day after the premiere, the group held a private rehearsal on the stage of the Epstein-run Saville Theatre in London. Here the group ran through songs for two important upcoming television programs as well as their imminent US tour.
The first of the TV shows, on the following Sunday, was Blackpool Night Out for British ABC. After the Saville Theatre rehearsals the group travelled up to the Lancashire town, just north of Liverpool, but during the journey an incident occurred that depleted the group’s instrument collection. The colourful story is told by Beatles’ chauffeur Alf Bicknell.
“Prior to leaving,” recalls Alf, “roadie Mal Evans had gone on ahead and left me with two guitars, a Rickenbacker and a Country Gentleman. I had to strap these on to the back of the car, because it was very rare for me ever to carry anything like this. We’d left London and probably travelled about 30 or 40 miles, and it was getting a little dark. We passed a big heavy truck, and a few hundred yards down the road Ringo says to me, ‘Alf, I think some guy following us is flashing his lights at you.’ I pulled over and stopped, got out, and went back to the guy. He said, ‘You’ve just lost a banjo.’ So I walked to the back of the car. The straps had broken and one of the guitars was gone.”
Bicknell saw that the Rickenbacker case was still in place. By this time road manager Neil Aspinall had got out of the car to have a look. Bicknell wondered aloud what they were going to do. “I asked Neil if he was going to tell them what had happened. He said no, so we stood there arguing for several minutes, not knowing what to say. So then I walked around and opened the passenger door. I leaned in and said, ‘John, we just lost a banjo,’ trying to make light of it. So he leaned forward and with a whimsical smile on his face said, ‘Alf, if you can find the guitar, you can have a bonus.’ I said, ‘Thanks, John. What’s that?’ And he says, ‘You could have your job back.'”
There then followed some complicated and, for Bicknell, agonizing moments as he re-traced their steps and searched for the missing Gretsch. “We found it,” he remembers, “which was quite a surprise to everybody. We found a piece here and a piece there and pieces all over. The guitar and its case were smashed to bits. I’m convinced it was the big truck we passed that ran over it. We never even bothered to pick it up, but just left it there lying in the street, because by now we were pushed for time. Nobody blamed me after that – nothing more was said about it. It just turned out to be one big joke.” The guitar lost was Harrison’s first Gretsch Country Gentleman, with the dual “screw-down” mutes, which by this time was carried only as a spare. The guitarist’s favoured Country Gentleman, his second, with dual “flip-up” mutes, managed to survive with Harrison throughout the remainder of 1965.
Credit: Beatles Gear
George playing the first Country Gentleman at a rehearsal for the Royal Command Performance in 1963
One of Georges VOX AC30 Studio amps on display.
1963 Gretsch 6122 Country Gentleman: Model PX6122 (The Second One)
When his first Gent went back to Sound City in London for repairs, they gave Harrison this one, identical to his first except for the mutes, which were flip-up rather than dial-up, and Harrison came to prefer it. Seen on the Sullivan shows and used on the ’64 U.S. tour, this was the guitar for the Beatles’ first flush of worldwide success.
Both Gretsch 6122 Country Gentleman Guitars photographed together in November 1963
1962 Gretsch “Chet Atkins” Tennessean. SN# 52994
In the ‘90s, Gretsch re-introduced the 6119 as the Tennessee Rose and also utilized the Electrotone body with the painted F holes.
George claimed in a TV interview that he still owned it and it was at home with the others.
I watched the First Shea Stadium concert and noticed that George used his 1962 Gretsch Tennessean exclusively that night!
Klaus pointed out that it was not the same guitar that Ringo was given as it did not have the white bindings around the f hole, which i never noticed.
Ringo Auctions 1962 Gretsch Tennessean – December 4th and 5th, 2015
Lot # 1224 Sold for $179,200.00 at Julien’s Auctions. Fees included in the price.
1962 Gibson J-160E – Serial number 73161
A staged photo at Rushworths
John and George mix up their acoustic guitars.
In 1962, the Beatles ordered two Gibson J-160E acoustic-electric guitars from Rushworth’s – one of the few shops in Liverpool where US-made instruments were available at the time.
Lennon and Harrison had to order the guitars from a catalogue and wait for them to be delivered to the store from the US. Converted to US currency, the total credit price noted for Lennon’s J-160E (and presumably Harrison’s too) was around $450 then or around $3,200 in today’s money. The original Gibson shipping record indicates that the guitars were shipped from the factory on June 27th 1962. The purchase receipt reveals that Brian Epstein, the Beatles’ manager, paid for the guitar in full a year later. George’s guitar was stolen at the 1963 Finsbury Park Xmas show – John thought it was his that was stolen. He acquired a replacement in 1964.
The purchase receipt for this guitar
The original Rushworth’s account sheet clearly shows the serial number for this guitar was purchased on John’s account.
Interesting Note: This is the ONLY Beatle guitar that was played on every Beatles album.
Stolen/Lost 1962 Gibson J160E Guitar Serial number 73157
Gibson J160 E acoustic was found!
The guitar had been lost for more than 50 years and represents a rare and significant instrument in both Lennon’s, Harrison’s and the Beatles’ history. Julien’s Auctions in Beverly Hills will offer it in the Icons & Idols: Rock n’ Roll auction on November 6 and 7, 2015.
Lennon and fellow Beatle George Harrison ordered Gibson J-160E acoustic-electrics from Rushworth’s Music House in Liverpool, and received them on September 10, 1962. The next day, the Beatles returned to London to record the songs for their debut single, “Love Me Do” and “P.S. I Love You.” It’s presumed that Lennon and Harrison used their J-160Es on these recordings. Lennon undoubtedly used the guitar on other Beatles recordings through 1963, including “This Boy” and select tracks on their first two albums,Please Please Me and With the Beatles.
In December 1963, Lennon thought it was his J-160E that was stolen while the Beatles were performing their Christmas show, a variety stage production featuring themselves and other groups, at the Astoria Cinema in Finsbury Park, London. The show ran for 16 nights, from December 24, 1963, to January 11, 1964. Shortly afterward, Lennon replaced the J-160E with a 1964 model that he continued to use over the years.
Interestingly, Lennon’s first J-160E got switched with Harrison’s at some point after the guitars were purchased. The J-160E in Harrison’s estate has the serial number of the guitar sold to Lennon, meaning that, technically speaking, it was Harrison’s jumbo, not Lennon’s, that was stolen.
Some 50 years later, the stolen 1962 jumbo turned up in a second-hand shop in the U.S. A buyer named John McCaw purchased it, and the guitar’s authenticity was confirmed by Beatles gear expert Andy Babiuk.
1964 José Ramírez Guitarra de Estudio classical guitar. (Studio Model) From Ramirez website
Beatles Gear labels this as a Ramirez Rondalla. As far as i’m concerned, Beatles Gear is the leading authority on “Beatles gear”. I’m leaving both descriptions on this guitar.
Jose Ramirez studio model used by George Harrison during the recording of the classic Beatles film “A Hard Day’s Night” and featured on the Beatles recordings “Til There Was You” and “And I Love Her”
1963 Rickenbacker 360-12 SN# CG726
George Harrison´s first 360/12 was the second Rickenbacker twelve string ever made. The prototype had somewhat different features. The most significant difference between the two is the manner in which they are strung. The first twelve string manufactured had a conventional twelve string setup. On George´s guitar, the octave counterparts to the four lower strings, were reversed with the octave strings occurring second in the string pairs. It was the first Rickenbacker strung in this manner.
While Harrison’s 12 string was the second one made, nonetheless, it had the distinction of being a prototype for all subsequent instruments as far as the manner in which they would be strung.George Harrison´s guitar had a crescent sound hole, triangle inlays, trapeze tailpiece, double white pick guards and black control knobs. The colour is FireGlo. This model is available in a reissue version, the model 360/12V64.
1965 Rickenbacker Fireglo 360/12 (The stolen one)
George Harrison´s second Rickenbacker Fireglo 360/12
The Beatles second American Tour began in August 1965. It started on August 15 at Shea Stadium in New York City. With 55 600 in attendance, this was, at the time, the largest crowd ever assembled for a concert in the USA. The show was filmed for a TV documentary, which was first broadcasted on March 1, 1966.
During this tour George Harrison was presented his second Rickenbacker 360/12. The event took place while The Beatles were at a press conference in Minneapolis on August 21 1965. The instrument was delivered from B-Sharp Music in Minneapolis by Mr. Randy Resnick. Mr Resnick told me this: ” – The gift was my idea and Bill Diehl (WDGY now KFAN) helped me out by letting me do this at the press conference.”
George´s second Rickenbacker twelve string got lost shortly after the Candlestick Park concert on August 29 1966.The exact date of its disappearance and its current whereabouts remains unknown.
This new model 360/12 had rounded cutaways and checked binding on the back. Five chrome-top control knobs and an “R” tailpiece. When George received this guitar he “retired” his first from stage performances. The first recording in which this guitar was used was “If I Needed Someone”, recorded on October 16 1965 (first take).
1962 Epiphone ES230TD Casino
John and George had matching 1962 Epiphone ES230TD Casinos. George’s has a Bigsby Tail Piece, John’s did not.
1962 Epiphone ES230TD Casino with a Bigsby tailpiece
Set List on George’s Epiphone Casino
George’s Casino with sunburst sanded off.
1964 “George Harrison Model” 12-string
The one-of-a-kind Gretsch “George Harrison Model” 12-string guitar, given to George by Gretsch in 1964.
Gretsch made him a 12-string version of his 6128 – but he didn’t like it. The neck was too wide and the action was bad. It was on one of the dates of that British tour that it was delivered, possibly in London. But that guitar was a dog to play. It wasn’t like his Rickenbacker 360/12, which was almost as easy to play as a six-string. George gave the Gretsch 12-string to John St John, the lead guitarist in Sounds Incorporated, who were also on that tour, backing Mary Wells.” – Colin Manley, quoted in Beatles Gear.
In that same book, this description of the guitar can be found:
“The very unusual Gretsch George Harrison 12-String has an old-style model 6120 single-cutaway body finished in black, with white bound f-holes. The label inside reads ‘Special’, a name Gretsch often applied to custom guitars, and bears serial number 45708. The engraved chrome plate on the headstock reads ‘George Harrison Model’. This type of 12-string never appeared as a regular Gretsch production item.”
1965 Gibson ES-345-TD
On Tuesday November 23rd at Twickenham film studios the group filmed their promos for ‘We Can Work It Out’, ‘Day Tripper’, ‘Help!’, ‘Ticket To Ride’ and ‘I Feel Fine’. Three members used their familiar instruments: McCartney the Hofner bass, Lennon his Rickenbacker 325, and Starr the 22-inch-bass Ludwig kit with new number-six logo drum-head. But a new guitar was evident. Harrison had a sunburst Gibson ES-345.
Gibson’s ES-345TD double-cutaway hollow body guitar was in effect an upscale version of Joe Brown’s 335 that Harrison had tried out back in 1962. The 345 had a six-position Varitone rotary switch for choosing different tonal settings, and all the metal fittings were gold-plated. A sunburst 345 then cost £236/5/- (about $660 then). Harrison used his new Gibson only for the filming of these promo clips, and later again this year during the last UK Beatles tour.
George plays this guitar in the Day Tripper video.
Credit: Beatles Gear
1964 Gibson SG Standard guitar, Serial No. 227666
In 1966, George Harrison acquired a Gibson SG Standard 1964-model, which he can be seen playing in the photograph above. He used it as his main guitar during the Revolver sessions and it remained one of his favourite guitars through into 1968. George gave this guitar to Pete Ham of BadFinger.
Gibson shipping log
Beatle’s guitar tops bill at showbiz auction Harrison’s Gibson SG was sold for $567,000
NEW YORK – A guitar played by George Harrison of the Beatles was sold for $567,500 Friday, topping the bill at what auction house Christie’s said was its biggest ever sale of show business memorabilia.
The Gibson SG electric guitar, played by Harrison from 1966-1969, was the star attraction among over 400 lots, ranging from guitars and clothing to scraps of paper signed by stars.
The guitar, which had a pre-sale estimate of $500,000, was used while recording the Beatles’ “Revolver” album. John Lennon also played it on what is commonly known as “The White Album”. Harrison gave the guitar to Pete Ham of Badfinger and after Ham’s death in 1974, it was stored away for 28 years by his brother John Ham. The guitar was found during preparations for a Badfinger retrospective at the Hall of Fame in 2002.
George Harrison’s SG was purchased for $567,000 at a Christie’s auction in 2004 by Colts owner Jim Irsay. Irsay also owns the Vox Kensington prototype guitar made for the Beatles in 1966 and John Lennon’s 1963 Gretsch 6120 Guitar.
Jim Irsay’s Beatles gear Collection
1964 Rickenbacker 325 Model 1966 “Beatle Backer” – Serial No.DE519
1964 Gretsch G6120DC (Nashville) – SN#53940
1964 Gibson SG Standard guitar, Serial No. 227666
1966 VOX Kensington
Beatles Ed Sullivan Drum head
Ringo’s #1 Ludwig Drum set
George’s Harptone 12 String from Concert for Bangladesh
64 Burns Nu-sonic Bass Guitar
George Harrison briefly played a Burns Nu-Sonic Bass in mid-1966 during the recording of ‘Revolver’.
1961 Sonic Blue Fender Stratocaster SN 83840 “ROCKY”
The faded “Grimwoods: The Music People; Maidstone and Whitstable” sticker on the headstock.
George’s 1961 pre-CBS Stratocaster – Tremolo model with Rosewood fingerboard. In 2011 someone that saw George’s Strat in his exhibit at the Grammy Museum in Los Angeles, determined that his Strat is actually Daphne Blue. Played on “You’re gonna loose that girl” and Nowhere Man some other Rubber Soul’ sessions. George painted it psychedelic and called it ‘Rocky’ for ‘All you Need is Love’, ‘Magical Mystery Tour’ and ‘I am A Walrus’.
Note: I don’t agree. I think it’s faded Sonic blue, but i could be wrong. Usually am 🙂
John and George’s Strats…together in the same picture.
Clapton playing Rocky on Stage.
1969 Fender Rosewood Telecaster
George’s 1969 Rosewood Telecaster (rosewood pancake with maple middle) which given to him by Fender (one of only two made at that time) George played on ‘Let it Be’ sessions and ‘the rooftop’ concert.
A Gift From A Beatle
On December 1st 1969, George Harrison and Ringo Starr attended a performance by the American act Delaney and Bonnie at London’s Royal Albert Hall. The next day, Harrison joined the band on stage and afterwards, he presented his Rosewood Telecaster® to the guitarist, Delaney Bramlett. Bramlett recalls the moment the guitar was presented to him:
“When I went back to the back – when I went to the dressing room – George Harrison presented me with this guitar. And he said, ‘This is to you for what you just did for me last night.’ And I went, “WHAT?!” And he said (again), ‘This is for you for what you just did for me.’
“I had a meeting with Leo Fender before he died, and I told him, ‘I got that George Harrison guitar.’ He said, ‘How’d you get that?’ And I said, ‘He gave it to me.’ Leo said, ‘Why would he do that? That’s a one-of-a-kind.’ I said, ‘I don’t know! I just don’t know, man!’ I guess he liked me, you know! Leo says, ‘God, I guess he must have!'”
George playing “Rocky” with Delaney and Bonnie and Eric Clapton in Copenhagen 1969. Delaney Bramlett is playing the 1969 Rosewood Telecaster that George gave him.
Guitar For Sale
Some time in 1999, Bramlett put the guitar up for sale in the States through Dave Kyle , an expert dealer in famous and vintage guitars (including the fabulous leather-inlaid Waylon Jennings Telecaster®). Bramlett later withdrew the Rosewood Tele®, putting it up for auction instead. The date for the auction was set for August 19th, 1999 at Bonham’s auction house in London. Although it was expected to raise £200,000 (320,000 Euros), the Telecaster® failed to reach its reserve price and was taken off the block when bids topped out at £100,000 (160000 Euros).
According to guitar dealer Dave Kyle, who has had the privilege of playing and examining the guitar, “The Harrison/Bramlett Tele® was also pretty well worked over. It had been routed for Humbucking pickups, which were gone by the time I saw it and had what looked to be the original pickups back in place. The back of the neck had been sanded off but the fretboard still had the original finish”.
On Saturday, September 13, 2003, the guitar was put up for sale by Bramlett at Odyssey Auctions in Hollywood. The winning bidder paid $434,750. Although the identity of the West Coast collector was not revealed, rumours persist that the bidder was none other than U.S T.V actor Ed Begley, Jr. who was apparently bidding on behalf of George Harrison’s widow Olivia Harrison, who now owns the guitar.
From: motor_city_tele http://www.tdpri.com/forum/archive/index.php/t-38516.html
1957 Gibson Les Paul
Lucy was originally a “Goldtop” Les Paul Model with humbucking pickups, a combination only produced in 1957 and part of 1958.Gibson records show that serial number 7-8789 was shipped from the Kalamazoo factory on December 19, 1957. By 1965 the guitar was owned by John Sebastian of the Lovin’ Spoonful, who traded it to Rick Derringer of tour mates The McCoy’s for an amplifier to replace one which had blown.
Gibson shipping log
By around 1966 the guitar’s original gold finish was looking very worn, and Derringer’s father continually ragged him about it. “So I figured that since we didn’t live far from Gibson’s factory in Kalamazoo, the next time the group went there I’d give it to Gibson and have it refinished. I had it done at the factory in the SG-style clear red finish that was popular at the time.” However, he wasn’t happy with the instrument when he got it back: it “just didn’t feel the same … it had changed into an altogether different guitar.” Derringer therefore sold it to Dan Armstrong’s guitar shop in New York.
Clapton and Harrison Era
The guitar had only been in Armstrong’s shop for a few days when it was purchased by Eric Clapton.Clapton did not play this instrument much. His principal guitars in 1966-68 being his psychedelic 1964 SG, a 1964 ES-335, 1963 or 64 Gibson Reverse Firebird (which replaced his SG as his favourite Cream guitar) and a sunburst Les Paul he bought from Andy Summers. In August 1968 he gave it as a present to his good friend George Harrison. Harrison dubbed the red guitar “Lucy,” after redhead comedienne Lucille Ball.
Harrison and The Beatles were at the time recording what would become The Beatles (the White Album), and had been working for several weeks on “While My Guitar Gently Weeps.” Harrison had been unable to record a lead track for the song he was satisfied with; moreover Lennon and McCartney were dismissive of it and “didn’t try very hard.” Therefore Harrison, knowing that his bandmates were on good behaviour around guests, invited Clapton to come into EMI Studios on September 6 and lay down a lead track, telling him “you don’t need to bring a guitar, you know I’ve got a good Les Paul you can use.” Clapton laid down the track in a single take; but later stated that he was so high at the time he doesn’t remember it at all.
Harrison continued to play Lucy as one of his principal guitars for the remainder of his time with The Beatles; it can be seen in the promotional video for “Revolution” and the documentary Let It Be.
Theft, kidnapping and recovery
In 1973 Lucy was one of the items stolen in a burglary at Harrison’s home in Beverly Hills. The thief or an intermediary sold it at Whalin’s Sound Cityon Sunset Boulevard in Hollywood; owner George Whalin promptly resold it (in violation of the statutory 30-day waiting period) to Miguel Ochoa, a musician from Guadalajara, Mexico. When the red guitar appeared on a police stolen-property bulletin Whalin called Ochoa’s contact number, his friend Mark Havey. This began a lengthy negotiation which resulted, ultimately, in Harrison (via Harvey) trading Ochoa a Les Paul sunburst and a Fender Precision Bass for the return of Lucy. Harrison would later refer to the incident as a “kidnapping.” Harrison kept Lucy until his death in 2001.
Credit: Meet the Beatles for Real
The guitar is still owned by the Harrison Estate today.
- Eric Clapton’s Isolated Guitar Track From the Classic Beatles Song, ‘While My Guitar Gently Weeps’ (1968) (openculture.com)
1969 Gibson J-200 Jumbo Acoustic
Harrison upgraded to a Vintage Sunburst Gibson J-200 Jumbo (which Lennon used on “Two of Us” and other acoustic tracks on Let It Be).
The Beatles’ George Harrison himself was keen a fan of the J-200 – he “upgraded” from the Epiphone acoustics he previously favoured to record The Beatles, a.k.a. “The White Album.” “For You Blue,” “Here Comes the Sun,” “While My Guitar Gently Weeps”, “Long, Long, Long” and “Piggies” all feature Harrison playing one of his Gibson J-200s. Harrison also composed most songs for his solo debut, All Things Must Pass, on a blonde Gibson J-200.
Is this the same guitar pictured on Nashville Skyline?
In Andy Babiuk’s book “Beatles Gear” (page 222) he says;
“Harrison’s new guitar with the flowery pick guard was a Gibson J-200 that he’d acquired while in America. Legend has it the guitar is the same one that Bob Dylan is seen holding on the cover of his 1969 album Nashville Skyline.”
There is so much discussion online about whether this is actually the same guitar pictured on the Nashville Skyline cover. The guitars in the pictures are identical right down to the way the strings are wrapped, so maybe it is the same guitar. I don’t know for sure.
Saturday Night Live with Paul Simon – November 20, 1976
In the picture with Paul Simon, George is playing a Martin D-35S. The “S” designation is for “slotted headstock”, a feature on their 12-fret models. – Courtesy of ChrisDB. Thanks Chris.
Gibson J-2000 cutaway
1956 Gibson ES-5 Switchmaster
George playing a 3 pickup Gibson ES-5 at the Jackie Lomax sessions in 1968.
Studio Three, EMI Studios, Abbey Road – Producer: George Harrison
George Harrison produced the sessions for fellow Liverpudlian musician Jackie Lomax, recording Harrison’s song Sour Milk Sea. The song was recorded at Abbey Road over three days, on 24-26 June 1968, as well as a Lomax song, The Eagle Laughs At You. Harrison produced the songs and played acoustic guitar, with McCartney on bass, Starr on drums, Eric Clapton on guitar and Nicky Hopkins on piano. The Eagle Laughs At You featured Harrison and Clapton playing rhythm and lead guitar alongside Lomax, but no other Beatles.
Larry Knechtel and George.
Zemaitis Acoustic Guitar – Tony Zemaitis
Zemaitis “Lotus” 12 String
6 string Zemaitis Acoustic Guitar
Harptone L /12NC
George Harrison received this guitar prior to recording The Beatles’ ‘White Album.’ While there is currently no evidence that it was used on any Beatles recording, it was used by George and members of Badfinger on the sessions for George’s All Things Must Pass LP set and by Badfinger member Tom Evans at Madison Square Garden during the Concert For Bangla Desh charity shows. In 1974, George gave the guitar to Bob Purvis, a member of the band Splinter. George produced Splinter’s debut LP, ‘The Place I Love,’ and played this guitar during those sessions. The original tuners were replaced some time before George gave the guitar to Mr. Purvis. An endpin mini-jack and Barcus Berry pickup were professionally installed in the mid to late 1970s. Harptone’s instruments were built in Newark, New Jersey, from 1966 until the mid-1970s.
This instrument comes with a letter of authenticity on Harrison’s letterhead.
Purchased by Colts owner Jim Irsay from Heritage Auctions.
Fender Stratocaster with Dark Hose Logo Sticker.
Concert for Bangladesh
George used a Fender Stratocaster “stripped to the wood” with a 50’s maple neck during the “Concert for Bangladesh” in the 1970s
The story of the Strat Clapton gave Harrison is somewhat more convoluted.
From that article
Harrison and “Slowhand” were close friends up until Harrison’s death in 2001, and over the years, Clapton gifted Harrison a number of different guitars.
As far as the Strat from Sho-Bud is concerned, it’s believed that the guitar Clapton gave Harrison is likely the same one the former Beatle can be seen playing at The Concert for Bangladesh. While some accounts suggest the Strat Clapton gave Harrison was a sunburst one, the Bangladesh guitar was stripped to the wood; meaning it possibly could have had a sunburst finish at some point.
Harrison later passed that particular guitar on to his friend, Spike Milligan, or did he?
“I don’t have a whole lot of Strats. I’ve got a sunburst one, one that Eric gave me quite a few years ago. There was one that was stripped to the wood that I gave to Spike Milligan. He was at my house one day with Peter Sellers – Peter was playing the drums, Spike was playing the piano, and I was playing guitar. Then Spike got off the piano and wanted to play the guitar, so I plugged him in to this Strat through a little Champ amplifier. He said, ‘Oh, I haven’t played for 30 years’, but he just picked it up and it sounded like Django Reinhardt or something. And I thought, well, that’s good. So when he left I put it in the case, and put it and the Champ in Peter Sellers’ boot and told him, ‘When you drop Spike off give him this.’ So he uses it in his show now. It’s the Stratocaster from the Concert for Bangladesh.” – George Harrison, The Story of the Fender Stratocaster
George says that he gave a “stripped to the wood” Stratocaster to Spike Milligan. Spike Milligan, on an Australian TV show in 1985, shows his sunburst Fender Stratocaster given to him by George Harrison.
Best of after dark: Spike talks about the Strat beginning at 2:20 – 3:37
The Fender Stratocaster guitar, which Harrison gave to his late friend Spike Milligan of The Goons, sold for about $25,500.
It’s clear that George gave Spike the sunburst Strat from Sho-Bud that Eric Clapton gave him in 1970 and not the stripped to the wood Strat shown in the Concert for Bangladesh. Having said that there is always the possibility that the Strat was refinished? Just guessing. What do you think?
George Harrison / Spike Milligan owned Ltd Edition Silver Series Fender Stratocaster guitar
Lets not confuse another Strat that was auctioned off at Heritage Auctions in 2004 and again in 2006 by Cooper Owens with the sunburst Strat from 1970. This one was a black Fender Squier Stratocaster, Serial No. L-036415, given as a gift from George Harrison to Spike Milligan.
In black finish, double cutaway body, maple neck with skunk-stripe routing, twenty-one fret fingerboard with dot inlays, three pickups, selector switch, three rotary controls, tremolo bridge/tail block, six adjustable saddles with white pick guard; and original tweed hardshell case with orange/red plush lining
Black Fender Stratocaster
Princes Trust Concert 1987
Fender JV Export “Squier” Stratocaster
George playing “While my guitar gently weeps” on a Fender JV (Japan Vintage) Export “Squier” Strat with Clapton.
Excellent video of this on You Tube
Washburn EA20 (NEWPORT/WOODSTOCK)
Princes Trust Concert 1987
George and Jeff Lynne played identical Washburn EA-20 Acoustics. They were used for “Here Comes the Sun” Check YouTube for the videos.
The 1988 Gretsch TW300 guitar, along with George playing it for the ‘Handle With Care’ promo video.
“Before Gretsch could make it’s phoenix-like return to full-scale guitar production in the late 80s, they needed to raise some cash. A marketing tie-in with the Traveling Wilburys supergroup provided that opportunity.<
The Wilburys – Jeff Lynne, George Harrison, Tom Petty, Roy Orbison and Bob Dylan – would be photographed with their namesake guitars and provide their signatures (or to be more precise, their alias’s signature). Meanwhile Gretsch would build up some operating capital from the ‘collectibles’.
In all, six TW models were created, all featuring Wilbury-themed graphics on the front and the stars’ ‘signatures’ on the back. They were cheaply made in Korea, and bear no resemblance to any other past or current Gretsch. Truth be told, they were sort of a Danelectro/Tele hybrid.
A few collectors hoarded them thinking they would eventually be a goldmine, but that looks unlikely. Gretsch made a ton of them, and they were always low-priced promotional guitars.
Instead, enjoy them for what they are: a fun, funky footnote in Gretsch history.”
Source: The Gretsch Pages
1965 – 1970 Fender Electric XII – Osaka Japan 1991
The Fender Electric XII was a purpose-built 12-string electric guitar, designed for folk rockers. This model was designed by Leo Fender but unfortunately it was not very popular and was discontinued around 1969-70.
1987 Torino Red Fender Eric Clapton Stratocaster
George Harrison playing his Gretsch “Chet Atkins” on the Rockabilly Session — Carl Perkins & Friends. This guitar was given to him by his wife Olivia.
Fritz Brother Guitars – Roy Buchanan Bluesmaster
Luthiers Roger Fritz and his brother John, collaborated with Roy Buchanan to create the Roy Buchanan Bluesmaster guitar.
Buchanan’s reputation and the exquisite quality of the instrument got things started. Positive reviews in music magazines helped, but capturing the mainstream market’s attention with a new guitar produced by an unknown, independent company with no real advertising budget takes imagination. “Roy said, ‘Lets get one to George Harrison,’ because he had met The Beatles. It wasn’t long until we got a letter from Harrison, saying, ‘I love this guitar.’” The former Beatle not only took to playing the guitar, he also began showing it to friends, like fellow guitar legend and next-door neighbour Gary Moore, who soon ordered his own Bluesmaster. (He showcased it on his 1993 “Blues Alive” album.)
Photo’s from the Guitar Player Magazine interview November 1987
Photos were taken by Peter Figan. George playing a 6 string Rickenbacker 330
George’s Guitar Collection
A different shot from the same session
Rock and Roll Hall of Fame
Recording Real Love in 1995 for release as part of The Beatles Anthology project.
In 1992, I traveled to England and met with Beatle George Harrison and Rock-n-Roll Legend Carl Perkins and they loved my work. Here is a quote from a George Harrison interview in the July `96 issue of Musician Magazine – “I like his guitar a lot. He’s just a small manufacturer, but it’s a very, very well made instrument and he does it all himself.” I Couldn’t ask for more praise from someone so well respected in the music business as one of the Beatles! Plus he used one of my guitars in the recording and video of the Beatles song titled “Real Love”(from the cd “Beatles Anthology II”)
Bernie Hamburger is the owner of Hamburger Guitars
During the recording of Free as a Bird and Real Love, George used 2 Fender Stratocasters as well. A red strat and the black one pictured below.
George’s first Sitar used on Norwegian Wood – Sold at Auction September 2017
A sitar owned and played by George Harrison is going to be auctioned in the United States.
The instrument, purchased from a shop on London’s Oxford Street in 1965, was used by Harrison during the recording of the Beatles song Norwegian Wood.
The Indian string instrument, crafted by a well-known music shop in Kolkata, was later gifted to a friend of Harrison’s first wife, Patti Boyd.
Harrison had discovered the sitar in 1965, on the set of the Beatles’ second film, Help.
His love affair with oriental mysticism first made itself known in Norwegian Wood, John Lennon’s tale of an extra-marital fling. Acoustic guitar and muted bass were augmented by the Indian instrument.
“We’d recorded the Norwegian Wood backing track and it needed something. We would usually start looking through the cupboard to see if we could come up with something, a new sound, and I picked the sitar up – it was just lying around; I hadn’t really figured out what to do with it,” Harrison was quoted as saying in The Beatles Anthologies.
“It was quite spontaneous: I found the notes that played the lick. It fit and it worked.”
Next year, Harrison gifted the sitar to George Drummond, a friend of Boyd, during the couple’s honeymoon in Barbados.
The Beatles recorded Norwegian Wood – the first Western rock band to use the sitar on a commercial recording – in October 1965, heralding a short lived “raga-rock” genre.
A year later, Harrison travelled to India to learn how to play the instrument under the renowned sitar maestro Ravi Shankar.
In an interview with the BBC’s Mark Tully in April 2000, Shankar said when he first heard Harrison playing the sitar in Norwegian Wood, he was not impressed.
“I couldn’t believe it,” he said, “it sounded so strange. Just imagine some Indian villager trying to play the violin when you know what it should sound like.”
Harrison later agreed, saying the sitar on Norwegian Wood was “very rudimentary”.
“I didn’t know how to tune it properly, and it was a very cheap sitar to begin with. But that was the environment in the band, everybody was very open to bringing in new ideas.
I am writing about the sitar pictured here. This was George’s second sitar – i.e., NOT the one that he used on ‘Norwegian Wood’, which was a cheap sitar that he bought in London.
The sitar pictured on your page was bought by George in India.
I have quoted the story about the purchase and origin of this sitar below, from the Rikhi Ram webpage:
One of the things that is not mentioned is that the sitar is a Ravi Shankar type sitar – i.e., the type used by sitarists of the Senia Beenkar Gharana (“Gharana” means “School”); these sitars have 7 main strings, and 13 sympathetic strings, and are different from the other main type of sitar, modified by Vilayat Khan (another great sitarist, like Ravi Shankar). The Vilayat Khan sitars (played by sitarists from the Etawah Imdadkhani Gharana have 6 main playing strings, and 11 sympathetic strings, and produce a lighther, ‘thinner’ sound.
“Beatles & Rikhi Ram association now 45 years
Rikhi Ram Musical Instruments and the great “Beatles” now completes 45 years of togetherness. Wow!
It was early July 1966, when they came to India and connected with my father late Pt. Bishan Dass Sharma at the Oberoi Hotel, New Delhi for Indian Musical Instruments like Sitar, Sarod & Tanpura. The picture on our website is taken in the Oberoi’s hotel room. George Harrison bought sitar, my father displayed those instruments by playing each of them.
What a historical moment it was for Indian Music! It was boom for Indian Classical Music in the western world. My father who had engineered George’s sitar, which lived as his favourite one in his life time. My salutations to all the great personalities.
Missing my father’s humble smile whenever talked about this moment. Prayers to pioneer of musical instrument making, Ever!…..my father Pt. Bishan Dass Sharma. Also to the great Beatles members, who are not around….. “George Harrison and John Lennon.
There is footage of George having a 1968 sitar lesson with Ravi Shankar on youtube, and his technique there leads me to believe that he might not have played sitar on ‘Love You To’, which of course, is on ‘Revolver’, from 1966. I say this because the sitar playing on ‘Love You To’, is more accomplished than that in the footage of George’s 1968 lesson. However, George may have really learned his part for ‘Love You To’, and might actually be playing the sitar on the track.
I hope that this information is helpful.
Geert van der Veen
Thank you so much Geert 🙂
I took this photograph of another of Georges Sitars taken in Vancouver BC September 2015 at a traveling Beatles exhibit at the Pacific National Exhibition.
George Harrison borrowed the Perry Bechtel OM-28 for a televised Dylan tribute Concert at Madison Square Garden, October 16. 1992
George and Stevie Nicks in Hawaii
Final TV Performance